So far, so reasonably good. But the director's trademark tactics keep getting between, well, everything. From the get-go, the visuals are subjected to pointless and irritating stutter effects, speeding-up/slowing-down, gratuitous camera movement, and the interposition of dirt- or light-smeared panes of glass between the camera and people we'd appreciate a clear look at. The 1974 movie settled for one police car being wrecked as the ransom is rushed uptown; Scott requires multiple collisions, each the occasion for police cruisers taking Lethal Weapon-style flight. The hostages in the earlier film were wittily individuated, a multicultural group portrait of the city at that mid-'70s moment; the ones on Scott's train--and also Travolta's fellow perpetrators, including that wonderful character actor Luis Guzmán--barely register. On the upside, John Turturro and James Gandolfini shine as two guys who (like the actors themselves) are very good at their jobsâ??respectively playing a hostage negotiator and His Honor, the mayor. The screenplay by Brian Helgeland (L.A. Confidential, Mystic River) strives intelligently, if formulaically, to add new dimensions to the main characters and to offer its own gloss on the current economic meltdown. --Richard T. Jameson
Stills from The Taking of Pelham 1 2 3 (Click for larger image)
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